TRICEFALO es un estudio de diseño ubicado en Madrid (España) especializado en dirección de arte, animación, motion graphics y proyectos multimedia. Desde 1999 trabajamos profesionalmente para distintas productoras y canales de televisión y colaborado en grandes proyectos formando equipo con distintos freelance especializados.

Once upon a time in a land that stretched from sea to shining sea, a boy dreamed the same dream every night. He dreamed of a world of clean lines, flat surfaces and simple forms. He dreamed of a society whose machines mimicked the efficiency of nature. He dreamed of a land where beauty lay in creativity, and achievement was measured by innovation. He dreamed of a world where everybody had brand new biodegradable socks every morning and V8 juice came out of the taps instead of water. He dreamed of a place where peace was inevitable because love was in every image, every glance and every action. And every morning when he woke up, he set to work making his dream come true.

Work completed at the Vancouver 2010 Olympic Games was under the design direction of Leo Obstbaum and VP of Brand & Creative Services Alison Gardiner. A Special thanks to Cory Ransom for helping photograph the work.

In his work as a photographer only uses analog cameras, mostly medium format. It started with digital photography but when two years ago he discovered the medium format cameras and began to use different films, he realized he loved traditional photography chemicals, the developing and photographic enlargements. From that moment on, he only use analog cameras, has a Yashica Mat 124g, Lubitel 2, two Zenza Bronica (S2 and EC-TL) with a few lens, Canon AE-1 Program, Olympus XA2…

Andrés taught himself to use these cameras and measure the light, asking other photographers and seeing the work of the ‘great photographers’ in books and internet.

He like to capture special moments in his life and his aim is to keep them alive and safe in his photographic memory. He try to convey a sense of emotion within every photograph he make.
In general he seek out places which you wouldn’t usually expect to be photographed.

We are Visualism a multidisciplinary design studio with a focus on visual communnication, brand identity, art direction and illustration.
Coming from various subcultures (graffiti, dj-ing, skateboarding & streetwear) we keep a playful and experimental approach to our work with a professional attitude.
Our passion is to create and design, be it for larger or more independent clients. The foundation to each of our projects is always a strategic and conceptual process.
Along the way we´re also made many talented friends including photographers, 3d artist and copywriters. That meanswhatever you needs we have the skill to cater to them.

ZSO (pronounced |zō|) is a collection of letters that I find aesthetically and phonetically beautiful. Together they make sound much like “so,” the adverb which means “to such a great extent.” I am a person of extremes, for better or worse (most often the latter), so the ring of it was fitting, and the moniker has since stuck for good.

I graduated from New York University’s Gallatin School of Individualized Study with a concentration in Graphic Art and Postmodern Studies—I’ve been working in design and art direction ever since.

These days you can find me at Euro RSCG where I focus on digital design. But by night I also double as an illustrator for clients such as Yen Magazine, The KDU, Hurley, SGCNY, and Koko & Me. I’ll also be having my very first solo gallery show at Friends of Leon Gallery in Sydney, Australia, September 2010.

Ever since some creative know-it-all came up with this widespread witticism, saying “One Picture is Worth Ten Thousand Words”, the necessity to say anything about Oliver Rath is basically obsolete. Year of birth (78), Place of birth (Heidelberg) – who cares about it anyway? His mover/shaker-mentality, his DJing-past, his talent to translate boredom of one thing into a passion for another one – it is all nice things to say about him, but you actually don’t need to know. His DIY-enthusiasm, that built up the whole technical foundation of his existence as a photographer, his mindscape that no school in this world could have teach him, his creative lunacy that’s hidden beneath this Frankish and easy going surface – they are all pretty ornaments for writings like these, but still: anything you could say about him doesn’t come close to the impression of his pictures.

Those are pictures of a maniac. His imagery is infiltrated by codes of urban hedonism, yet ruptured by sometimes prankish, sometimes caustic humour. It is a hard and rough picture language, a language without diplomatic attachments or compromise, but fuelled with unchecked temper and elegant to subtle sense for semantics. He takes everything in that makes a good picture: geometry, contrast, perspective, arrangement. But more than that, he’s a master of those little things, that push a good picture to become an outstanding one. He is the advocate of maximizing impacts. He’ll find the big talk even in the smallest gestures. He might just slam you in the face with a picture. But he might lick your wounds with the very next one. His sense for the right sentiment is without comparison, be it on national or international scale. Call him man of the moment. What do I say? Call him a depicting chronicler of the Zeitgeist. Well, why do I say so much anyway? Just find one of his pictures and call him your new favourite photographer.